Manipulate apparent distance of background sounds by emphasizing room filtering effects.Make crowd atmos, walla or dense ambience collide less with dialog.Synthesize room tone to fill editing gaps or to layer with ADR by applying a measured filter response to noise.Make ADR blend better with production dialog.Increase level separation between dialog and background sounds.Remove recording path roll-offs and lav mic chest resonance.
ZYNAPTIQ PITCHMAP TUTORIAL ISO
Remove comb-filtering caused by multiple “open” mics being mixed to one iso track, or by proximity to reflective surfaces.Its automatic recognition of frequency response anomalies is extremely useful for cleaning up production sound, and especially for enhancing the intelligibility of dialog. UNFILTER is a real workhorse in audio post. UNFILTER is not only a life-saver, it is also a time-saver par excellance. Whichever control you move, the right setting is never far away. And for advanced customization, every single function and control has been engineered with painstaking attention to detail – finely-tuned for optimal workflow and results. The UNFILTER UI is so fast and easy to use that corrective EQ can often be done within seconds by adjusting just one of our super-slick trackball sliders. Well, UNFILTER is a breeze to use, and doesn’t just sound good…it sounds amazing. But all the technology in the world doesn’t matter if it’s difficult to operate or doesn’t sound good. Sounds like rocket science? That’s because it is. Fortunately, we don’t do lab coats. This technology allows UNFILTER to take a close look at your audio, estimate what happened to its frequency response, and then create a filter that will undo the process. How does UNFILTER do all that? Technically, it performs a real-time blind de-convolution, a cutting-edge technology rarely found even in the most advanced of research institutes. And finally, there’s a super-steep 96dB per octave shelving high-pass filter that removes low frequency rumble so efficiently you’ll forget that there was ever anything down there. Thirdly, we added a streamlined 7-band graphic EQ for good measure. Secondly, UNFILTER sports a free-form EQ with various curve interpolation modes, from super-gentle slopes, through narrow notches, to brickwall steps. This helps maintain a balanced spectrum when working with audio that changes over time, for example when streaming mixed music in broadcast applications. For one, its (un-)filtering engine can function as an adaptive program equalizer that continuously adjusts itself while the audio is playing. Three mastering grade EQs and an excellent high-pass filter, actually. Whether you need to make ADR blend with production dialog, get one guitar snippet to sound like part of another, or create new sounds, UNFILTER makes this task fast and easy. You can of course also store filter responses to disk as linear- or minimum-phase impulse response files, building a library of “colors” to have at your disposal any time. Or you can create room-tone to fill editing gaps, by applying a measured filter response to noise. You can also apply the measured filter response from one recording to another – placing the two in the same acoustic “world”. In real-time, and with minimal effort, Zynaptiq-style. As a result, previously problematic or unusable recordings can be made to sound good, and good recordings to sound great. You can then remove these by simply adjusting one control, leaving the rest of the signal virtually untouched.
UNFILTER automatically detects resonances, EQ or filter effects – essentially any frequency response anomalies that aren’t part of the original signal.